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7 Things I've Learned From Shooting Live Music
Live music photography is chaotic, loud, and unpredictable — and I wouldn't have it any other way.

Rhiannon Phillips
Mar 245 min read
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Live at O2 Academy Bristol: Sammy Rae & The Friends (18th February 2025)
Sammy Rae & The Friends lit up the O2 Academy Bristol with a whirlwind of colour, joy, and pure musical theatre energy. My first time shooting from the pit, and easily one of the most electric, heart-bursting shows I've photographed so far.

Rhiannon Phillips
Feb 193 min read
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Live at The Louisiana: Skydaddy + Bert Ussher + Tyler Cryde (28th January 2025)
A packed room, lush lighting, and three completely different artists bringing their own magic to The Louisiana. From dreamy folk to intimate songwriting to full-body groove, this was one of those nights that reminds me why I love shooting Bristol's live scene.

Rhiannon Phillips
Jan 293 min read
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Live at Mr Wolfs: Horses on the Beach + Echo Den (18th January 2025)
A packed Mr Wolfs, soaring dub atmospheres, and a full-throttle headline set. This night with Echo Den and Horses on the Beach was small-venue chaos in the very best way. Hypnotic grooves, explosive energy, and one of the most fun crowds I've shot so far this year.

Rhiannon Phillips
Jan 193 min read
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Live at The Louisiana: Cats on the Moon + Armton + Nxanxcy (14th January 2025)
Gig recap: Cats on the Moon, Armton & Nxanxcy brought mood, melody, and magic to The Louisiana stage.

Rhiannon Phillips
Jan 154 min read
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Shooting the Sound: My Journey Into Music Photography (and Why I'm Hooked)
If you'd told me back in school that one day I'd be combining photography and music as a career, I wouldn't have believed you - not because I didn't want it, but because I didn't even realise it was an option. I mean, I knew music photographers existed in some abstract way... but it never occurred to me that it was something I could actually do. Plus, my art teacher told me herself that I'd never have a future in photography - and honestly, I believed her. Thankfully, that di

Rhiannon Phillips
Jan 83 min read
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